www.brianhaimes.com: 2012

7.18.2012

Here is Something I just animated with Victor Kerlow at LAIR. This is for The Kia Optima and is currently running on The History Channel. I worked out all of the timing and spacing based on Victor's storyboards. Then Victor and I went in and animated sections. I would rough out the transformations and cycles and Victor inked everything in his illustrative style. He also did individual water colors for all frames as well as animated some sections.

This was a very fun project :)

Here is a sample of Victors layout drawing and my rough animation.

Kia Optima: Rough Animation Sample from Brian Haimes on Vimeo.

Just for fun... The watercolors from the spot...

KIA - History of the Wheel: Watercolor from Brian Haimes on Vimeo.

some of the drawings

some of the many water colors

7.11.2012

Google Chrome: A Race Across the Internet

The client's main goal was to make a Rube Goldberg Esque contraption that had an Emphasis on Speed.

This was Designed and Directed by Andrezza Valentin. The design had to reflect the enviorments of Google Weather, Twitter, Google Translate, Facebook, Google Search, and Google Chrome. All in a DIY manner. I worked with a team of extremely talented Fabricators, Carpenters, Metal Workers, Welders, Sculptors, and Painters (Adam Sober, Neil Kelly , Racey North, Sean O Connor, and Travis Moonschein). It was a ton of fun and I could not have done it with out them.

Basically my responsibility involved the moving parts, Motors, Gears, Springs, Magnets, Electrical Switches, Propulsion, and Mechanisms. I was hired to figure out all of the mechanical transfers. When the ball starts its journey (plunger switch) through to the final shot (basically the triggers on all automated items). Some of the mechanisms where more complicated than others. Most of the mechanisms where hidden in the design, or under the table.

Examples from the script:

(1.) The head has to: have the top of the head open on a hinge to receive the ball, then travel six inches to the right , as the ball moves through the head the head turns 90 degrees and the mouth opens, spits out the ball.

(2.) The bird mechanism had three phases; resting, ball enters mouth, triggers 45 degree turn, then entire bird and ball travel up and then enter fast rotation to throw ball on to track.

The Final Shot comprised the ball landing on a button, triggering the confetti, flags, and balloons. Then the ball rotates and reveals the Google Chrome Logo. I designed this Mechanism as a sleight of hand style magic trick. The ball that enters the frame is the one from the track. It lands on a button, releasing a trap door that allows it to enter the box while the new ball rises up taking its place. It is mounted on a motor that will allow it to rotate 180 degrees once contact is made. The transfer happens so quickly you dont see it. Thanks to my Father for showing me so many magic tricks as a kid.

The entire machine was 50 feet long and shot in a industrial space in the west village. We had 2 weeks to build and shoot and we worked up until the shoot day. The machine was shot in 10 foot sections. These overlaps where then used to stitch it back together. This allowed multiple takes on each section. This was the longest scrolling video on youtube and got tons of hits. It was used to promote Google Chrome in the format of an interactive game.

The video below shows just the machine in action ...

Google Chrome : A Race Across the Internet from Brian Haimes on Vimeo.

Here is a Time Lapse of the Build and Shoot

GoogleTimeLapse from Brian Haimes on Vimeo.

4.19.2012

MUTEMATH SpotLight

Cable control and Radio Controlled Animatronics

Clapping Mechanism and Animatronic Eye

Here I am controling the clapping mechanism from off camera

Eye Mechanism

This was a fun job. All of the objects were designed by the director Asif Mian as 2d sketches. I was hired by 1stAveMachine to design all the mechanisms. The concept involved MUTEMATH playing these oversized machines as instruments. Some designs were altered for function. Imaged are some of the mechanisms I built. Amanda Hamel helped a bit on covering the arms with sheet metal and sculpting the hands and head for the clapping machine. There were other devices but these were my main responsibility. The Music Video debuted at F5 in New York City 2009. This is an annual event sponsered by Motionographer. A lot of the machines from the video were displayed on the main stage at Roseland Ballroom. The video was ultimately banned.

Director: Asif Mian

DP: Zak Mulligan
Prop Designer: Asif Mian
Art Director: Sean O’Connor
Fabricators: Mason Chesler, Brian Haimes, Amanda Hamel, Rich Hutchins, Josh
Lazono, Asif Mian, Sean O’Connor
Producer: Rich Hutchins
Production Company: 1stAveMachine
Executive Producers: Serge Patzak & Randi Wilens
Head of Production: Hae-Sook Song
Creative Coordinator: Claire Mitchell
Post Production: Asif Mian, Joon Suck Park
Editor: Tim Malieckal

Paul Meany getting bolted into his head gear mechanism that controls his jaw

4.09.2012

EGG Factory - Adult Swim

Upfront Party at Roseland Ballroom.This was something I worked on with Square Design Inc. The theme of the party was Owls. They made these amazing 13 Foot Great Horned Owls that shot lasers out of there eyes. They were on the main stage and projected animations and designs all over. I worked on the Egg Factory scene as you enter the Ballroom. You will see in the video how this illusion works and its final dressing. This concept was designed by Adult Swim and i was in charge of making the electro mechanical parts work. It has two convoyeur belts with speed control as well as an electric timer for the lights. The eggs are Blacklight sensitive as well as the owls.